This is the last sonnet in the Psalm cycle that Anne Locke wrote. In it, she contrasts the celebration of temple worship with her status, and her wish to join the congregation with an assurance of her salvation. Locke was no gnostic. She knew that from the fear of God came the found of wisdom, […]Read More → Sunday Sonnet.
Blake may talk about a mental fight building Jerusalem in England’s land. Blake was wrong. The fight is not mental: it is either spiritual or physical. I am sure I have used this before, but here the contrast between the reformed and the romantic is clear. Blake was too enamoured with nature, and bended the […]Read More → Sunday Sonnet
The Psalm has 19 verses, so the poet continues. This is, after all, a meditation on Psalm 51, and the sexual themes of the penitent date to the psalm if not the poet. But the verse for this is the seventeenth The sacrifices of God are a broken spirit; a broken and contrite heart, O […]Read More → Sunday Sonnet
We are ending the end of this cycle, and with it the need to transliterate. Anne Locke’s poem or meditation worked when written well. It shows that the Puritans of that time did care and craft beauty, with words and in their lives. Unlike the women of this time, Locke did this while running a […]Read More → Sunday Sonnet
We did not last the service through today. My beloved said that she was leaving and I followed: she was offended that instead of a sermon there were smug women reading children’s tales. This is after both of us being saddened by the sermon at the Royal wedding of the duke and duchess of Sussex. […]Read More → Sunday Sonnet.